lesbelleslettres  
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Titres à paraître
LES HOMMES ET LA POUSSIERE
VITTORINI ELIO/
NOUS EDITIONS - NOUS
19/10/2018
SRI LANKA
MOREAU P/PELLISSIER N/
NOUVELLES EDITIONS PAGES DU MO - NOUVELLES EDITIONS PAGES DU MONDE
19/10/2018
GONELORE T5
GRIMBERT/PIERRE
OCTOBRE - LA CROIX DES FEES
19/10/2018
AUTOPORTRAIT AUX YEUX CREVES - APHORISMES
LALONDE NORMAND/
OIE DE CRAVAN (L') - OIE DE CRAVAN (L)
19/10/2018
MAMAN APPRIVOISEE
ELVERUM GENEVIEVE/
OIE DE CRAVAN (L') - OIE DE CRAVAN (L)
19/10/2018
REGARDS PERSANS
GUYON SPENNATO/ELIZABETH
ORIENTS
19/10/2018
SOLEIL N ETAIT PAS OBLIGE (LE)
KHIARI/SAAD
ORIENTS
19/10/2018
CALL OF THE BLUE
HAMILTON/PHILIP
PAUL HOLBERTON PUBLISHING
19/10/2018
The 300 spectacular photographs in Call of the Blue are the culmination of a five-year project by photographer and ocean conservationist Philip Hamilton to witness and photograph marine life around the world. This groundbreaking and inspirational book showcases contributions from acclaimed scientists and notable ocean ‘guardians’ who share their lives, passions and exploits on, in or under the ocean and reveal what drove them to answer the call of the blue.
MAMAN
BERRY F/CHIVOT M/
PAUL HOLBERTON PUBLISHING
19/10/2018
Marking 150 years since the artist’s birth, this catalogue accompanies the fi rst exhibition dedicated exclusively to Édouard Vuillard’s portrayal of his mother, Madame Marie-Justine-Alexandrine Michaud Vuillard. Few other artistic practices have so consistently featured the artist’s mother as motif, whether that is in paintings that approximate to the conventions of portraiture, those that represent her professional life as the chef-patronne of a corsetry atelier or the numerous paintings of…
WHISTLER AND NATURE
DE MONTFORT P/WILLSDON C/
PAUL HOLBERTON PUBLISHING
19/10/2018
The Anglo-American artist James McNeill Whistler (1834-1903) is a household name – a man who inspired and astonished the Victorian world. Less well known, though, is the influence of nature on Whistler’s work. This innovative and compelling study reconsiders Whistler’s work from the context of his military service and his relationship with ‘nature at the margins’, showing how Whistler’s observation of nature and its moods underpinned his haunting visions of nineteenth-century life.
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